Tuesday Weld via Adam Gorightly
Also see these incredible photos by Lawrence Schiller
Tuesday Weld via Adam Gorightly
Also see these incredible photos by Lawrence Schiller
A new video from the lovely RSA Animate team, this time on the Power of Networks.
Introduced me to the concept of “Rhizome“:
Gilles Deleuze and Félix Guattari use the term “rhizome” and “rhizomatic” to describe theory and research that allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. In A Thousand Plateaus, they oppose it to an arborescent conception of knowledge, which works with dualist categories and binary choices. A rhizome works with planar and trans-species connections, while an arborescent model works with vertical and linear connections. Their use of the “orchid and the wasp” is taken from the biological concept of mutualism, in which two different species interact together to form a multiplicity (i.e. a unity that is multiple in itself). Horizontal gene transfer would also be a good illustration.
As a model for culture, the rhizome resists the organizational structure of the root-tree system which charts causality along chronological lines and looks for the original source of “things” and looks towards the pinnacle or conclusion of those “things.” A rhizome, on the other hand, is characterized by “ceaselessly established connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles.” The rhizome presents history and culture as a map or wide array of attractions and influences with no specific origin or genesis, for a “rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo.” The planar movement of the rhizome resists chronology and organization, instead favoring a nomadic system of growth and propagation. In this model, culture spreads like the surface of a body of water, spreading towards available spaces or trickling downwards towards new spaces through fissures and gaps, eroding what is in its way. The surface can be interrupted and moved, but these disturbances leave no trace, as the water is charged with pressure and potential to always seek its equilibrium, and thereby establish smooth space. – Wikipedia
Interesting speech on “the heuristic narratological basis of self-delusion”, “the stories and metaphors we seduce ourselves with”.
Transcript is here: http://lesswrong.com/r/discussion/lw/8w1/transcript_tyler_cowen_on_stories/
Here is one extract from the transcript.
Another set of stories that are popular – if you know Oliver Stone movies or Michael Moore movies. You can’t make a movie and say, “It was all a big accident.” No, it has to be a conspiracy, people plotting together, because a story is about intention. A story is not about spontaneous order or complex human institutions which are the product of human action but not of human design. No, a story is about evil people plotting together. So you hear stories about plots, or even stories about good people plotting things together, just like when you’re watching movies. This, again, is reason to be suspicious.
He is so right. Our narrative bias feeds the engine of Ideological belief, which always holds that there are oppressors and oppressed and that the oppressors are intentionally oppressing, usually via conspiracy.
Complex systems, emergent properties, mistakes and unforeseen second or third order effects are discounted. Narrative bias demands agency, and that serves Ideology, the dominant political mode of our time.