The Murray Gell-Mann Amnesia effect

can a giant eraser remove the past?

“Can a giant raser remove the past?” Typewriter Eraser. Scale X, 1999, by Claes Oldenburg (American, born 1929, Sweden) and Coosje van Bruggen (American, born 1942, The Netherlands). Photo by Woodleywonders via Flicker (cc)

Came across this whilst reading Felix Salmon’s superb “Why you can’t trust journalism“. He links to Seekerblog’s 2006 post on “The Murray Gell-Mann Amnesia effect“, who in turn quotes Michael Criton’s 2002 speech “Why Speculate?“:

Media carries with it a credibility that is totally undeserved. You have all experienced this, in what I call the Murray Gell-Mann Amnesia effect. (I call it by this name because I once discussed it with Murray Gell-Mann, and by dropping a famous name I imply greater importance to myself, and to the effect, than it would otherwise have.)

Briefly stated, the Gell-Mann Amnesia effect works as follows. You open the newspaper to an article on some subject you know well. In Murray’s case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward-reversing cause and effect. I call these the “wet streets cause rain” stories. Paper’s full of them.

In any case, you read with exasperation or amusement the multiple errors in a story-and then turn the page to national or international affairs, and read with renewed interest as if the rest of the newspaper was somehow more accurate about far-off Palestine than it was about the story you just read. You turn the page, and forget what you know.

That is the Gell-Mann Amnesia effect. I’d point out it does not operate in other arenas of life. In ordinary life, if somebody consistently exaggerates or lies to you, you soon discount everything they say. In court, there is the legal doctrine of falsus in uno, falsus in omnibus, which means untruthful in one part, untruthful in all.

But when it comes to the media, we believe against evidence that it is probably worth our time to read other parts of the paper. When, in fact, it almost certainly isn’t. The only possible explanation for our behavior is amnesia.

I have noticed this time and time again. People who lambaste the media for supporting something they oppose will uncritically quote the same media when they suddenly find themselves in agreement.

Another area I notice this is with Serbs commenting on other countries. Serbs have been demonized in the media for over 20 years. They have suffered the most appalling slanders, yet it has not equipped many of them at all to spot the same treatment of others.

When Denmark recently came under fire for extending its social welfare laws of asset confiscation to migrants, I had Serbian friends in all my timelines writing “F*ck Denmark!”, not wondering at all if the story was being portrayed accurately (which it was not).

See also:

Truth Leakage – How politicians and journalists often reveal the truth as metadata or background material when discussing a tangential topic.

How to compose a successful critical commentary

“In disputes upon moral or scientific points, let your aim be to come at truth, not to conquer your opponent. So you never shall be at a loss in losing the argument, and gaining a new discovery.” –  Arthur Martine,  1866 guide to the art of conversation

In this everyone-is-a-critic culture, Daniel Dennet asks, “Just how charitable are you supposed to be when criticizing the views of an opponent?”

He offers what he calls “the best antidote [for the] tendency to caricature one’s opponent”: a list of rules formulated decades ago by the legendary social psychologist and game theorist Anatol Rapoport, best-known for originating the famous tit-for-tat strategy of game theory. Dennett synthesizes the steps:

  1. You should attempt to re-express your target’s position so clearly, vividly, and fairly that your target says, “Thanks, I wish I’d thought of putting it that way.

  2. You should list any points of agreement (especially if they are not matters of general or widespread agreement).

  3. You should mention anything you have learned from your target.

  4. Only then are you permitted to say so much as a word of rebuttal or criticism.

From the incomparable Brain Pickings

See also the superb:  A Code of Conduct for Effective Rational Discussion